A movement in the arts in which the artist does not depict objective reality, but rather a subjective expression of inner experience.
Der Blaue Reiter (The Blue Rider) was a group of artists from Munich, Germany. The group was founded by a number of Russian emigrants, including Wassily Kandinsky, Alexej von Jawlensky, Marianne von Werefkin, and native German artists, such as Franz Marc, August Macke and Gabriele Münter . Along with Die Brücke, which was founded in 1905, Der Blaue Reiter was a major feature of the movement known as Expressionism.
These artists formed the group in response to the rejection of Kandinsky's painting "Last Judgement" from an exhibition. Der Blaue Reiter lacked an artistic manifesto, but it was centered around Kandinsky and Marc .
Within the group, artistic approaches and aims varied from artist to artist; however, the artists shared a common desire to express spiritual truths through their art. They believed in the promotion of modern art, the connection between visual art and music, the spiritual and symbolic associations of color, and a spontaneous, intuitive approach to painting. Members were interested in European medieval art and primitivism, as well as the contemporary, non-figurative art scene in France. As a result of their encounters with cubist, fauvist and Rayonist ideas, they moved towards abstract art.
Der Blaue Reiter organized exhibitions in 1911 and 1912 that toured Germany. They also published an almanac featuring contemporary, primitive and folk art, along with children's paintings. In 1913 they exhibited in the first German Herbstsalon.
Der Blaue Reiter Almanach (The Blue Rider Almanac) was published in early 1912, in an edition of 1100 copies. The volume was edited by Kandinsky and Marc and contained reproductions of more than 140 artworks, and 14 major articles. A second volume was planned, but the start of World War I prevented it. Instead, a second edition of the original was printed in 1914.
The art reproduced in the Almanac marked a dramatic turn away from a Eurocentric and conventional orientation. The selection was dominated by primitive, folk, and children's art, with pieces from the South Pacific and Africa, Japanese drawings, medieval German woodcuts and sculpture, Egyptian puppets, Russian folk art, and Bavarian religious art painted on glass. The five works by Van Gogh, Cézanne, and Gauguin were outnumbered by seven from Henri Rousseau and thirteen from child artists.
The group was disrupted by the outbreak of the First World War in 1914. Franz Marc and August Macke were killed in combat. Wassily Kandinsky, Marianne von Werefkin and Alexej von Jawlensky were forced to move back to Russia because of their Russian citizenship.